This course is about the Red Sea region (modern-day Ethiopia, Yemen, Eritrea, Saudi Arabia, Egypt, Sudan, and others) as a significant cultural, intellectual, and political domain in antiquity. Students will learn about how Red Sea societies spanning ancient Africa and Arabia connected the Eastern Mediterranean and Indian Ocean worlds. They will be introduced to the formative histories of scriptural communities Jews, Christians, and Muslims in the region, and explore various Red Sea writings including the Axumite inscriptions, the Kebra Nagast, and the Quran.

The focus will be on the rise of complex societies and the attendant development of architectural and artistic forms that express the needs and aspirations of these societies. Occasional readings in original texts in translation will supplement the study of art and architecture.

This course is an examination of the major political and economic trends in twentieth-century African history. It offers an interpretation of modern African history and the sources of its present predicament. In particular, we study the foundations of the colonial state, the legacy of the late colonial state (the period before independence), the rise and problems of resistance and nationalism, the immediate challenges of the independent states (such as bureaucracy and democracy), the more recent crises (such as debt and civil wars) on the continent, and the latest attempts to address these challenges from within the continent.

About 2000 of the world's 6000 to 7000 languages are spoken in Africa. The diversity that characterizes these languages is exceptional, but very little is known to non-specialists. In this course, we will learn about the languages of Africa: the diversity of their linguistic structures (including famous features that are found nowhere else, e.g. click consonants), their history and the history of their speakers (from ca 10,000 BP to the (post) colonial period), and their cultural contexts, among other topics. This course has no prerequisites, and is open to anyone with an interest in African languages or the African continent.

A performance course in West African drumming with a focus on music from the Manding/Mali Empire. Taught by master drummer Olivier Tarpaga, the course provides hands-on experience on the Djansa rhythm. Students will acquire performance experience, skills and techniques on the Djansa rhythm, and develop an appreciation for the integrity of drumming in the daily life of West Africa.

This course immerses students in the dynamic world of South African physical theatre. Through full-body training, improvisation, and ensemble work, students explore movement as protest, storytelling, and community-building. Inspired by Lecoq's teachings of the four core elements namely Earth, Air, Fire and Water; we will dive into building a performance vocabulary based on gesture, rhythm, and space. Students create original performances, using the body as the primary text, culminating in a showcase of devised physical theatre work.