African literature and films have been a vital (but often unacknowledged) stream in and stimulant to the global traffic in invention. Nigerian literature is one of the great literatures of the twentieth century. Ethiopian literature is one of the oldest literatures in the world. Senegalese films include some of the finest films ever made. In this course, we will study the richness and diversity of foundational African texts (some in translation), while foregrounding questions of aesthetics, style, humor, epistemology.

How can we read, write, and critically think (imagine) about African politics and society? The course presents contemporary ethnography on African politics and society during the postcolonial era, emphasizing the multiplicity, complexities, and diversity of African ideas, imaginations, practices, and experiences, in along with the variety of national and international factors that either influence or are impacted by them. Upon completing the course, students will have the essential critical thinking abilities and analytical tools required to recognize and challenge reductionist and biased narratives concerning Africa.

Humans have a deep history, one that informs our contemporary reality. Understanding our evolutionary history is understanding both what we have in common with other primates and other hominins, and what happened over the last 7 to 10 million years since our divergence from the other African ape lineages. More specifically, the story of the human is centered in what happened in the ~2.5 million year history of our own genus (Homo). This class outlines the history of our lineage and offers an anthropological and evolutionary explanation for what this all means for humans today, and why we should care.

The focus will be on the rise of complex societies and the attendant development of architectural and artistic forms that express the needs and aspirations of these societies. Occasional readings in original texts in translation will supplement the study of art and architecture.

An introduction to African art and architecture from prehistory to the 20th century. Beginning with Paleolithic rock art of northern and southern Africa, we will cover ancient Nubia and Meroe; Neolithic cultures such as Nok, Djenne and Ife; African kingdoms, including Benin, Asante, Bamun, Kongo, Kuba, Great Zimbabwe, and the Zulu; Christian Ethiopia and the Islamic Swahili coast; and other societies, such as the Sherbro, Igbo, and the Maasai. By combining Africa's cultural history and developments in artistic forms we establish a long historical view of the stunning diversity of the continent's indigenous arts and architecture.

This course will study a selection of the writings of Aimé Césaire, a towering figure of the 20th century in poetry, theatre, and postcolonial critique and politics. Césaire's poetry is arguably the most accomplished oeuvre of any anticolonial poet of the century, and a pinnacle of modernist French poetry tout court. Similarly, Césaire's theatrical works are outstanding moments in the creation of a theatre of decolonization, while his celebrated critical pieces, such as the "Discours sur le colonialisme", articulate the ethical and political grounds for the struggle to end colonialism.

This course is an examination of the major political and economic trends in twentieth-century African history. It offers an interpretation of modern African history and the sources of its present predicament. In particular, we study the foundations of the colonial state, the legacy of the late colonial state (the period before independence), the rise and problems of resistance and nationalism, the immediate challenges of the independent states (such as bureaucracy and democracy), the more recent crises (such as debt and civil wars) on the continent, and the latest attempts to address these challenges from within the continent.

Every morning around the world, millions of people wake up and, in some form or another, pour heated water over dark brown soil-like grounds to brew coffee. Yet how many people are aware of the historical processes that spread coffee from the forests of Southwest Ethiopia across the globe? Focusing primarily on Ethiopia and its national and regional networks, this course explores the rise of coffee as a commodity with significant global intersections. During Fall Break, students in this course will travel to Ethiopia and examine the cultural history of coffee in the context of the development of the coffee industry.

About 2000 of the world's 6000 to 7000 languages are spoken in Africa. The diversity that characterizes these languages is exceptional, but very little is known to non-specialists. In this course, we will learn about the languages of Africa: the diversity of their linguistic structures (including famous features that are found nowhere else, e.g. click consonants), their history and the history of their speakers (from ca 10,000 BP to the (post) colonial period), and their cultural contexts, among other topics. This course has no prerequisites, and is open to anyone with an interest in African languages or the African continent.

This course examines musical culture at the geographical juncture of Europe, Africa, and the Middle East. The busy exchange of people, goods, and ideas across the sea uniting these regions is reflected in the musical heterogeneity of the Mediterranean littoral. We consider how social and cultural forces and conditions within the Mediterranean - diaspora and migration; cosmopolitanism, commerce, and exchange; ethnic, religious, and linguistic difference - have historically shaped its music and musical communities.

This course exposes students to the historical, ethnic, linguistic, and cultural factors that have shaped Indigenous Amazigh communities in Tamazgha (North Africa) and its diasporas. It examines the role that Amazigh communities have played in revitalizing their cultures in contemporary Tamazgha and makes visible the acknowledgement the Amazighity of lands in North Africa and complexities of language, cultural identity, and colonialism in the region. Many resources in the source will be taken from the instructor's talks with family members, other Indigenous scholars, and activists in the community.

This course introduces the study of African politics. The lectures briefly review the social and historical context of contemporary political life. They then profile some of the changes of the early post-Independence period, the authoritarian turn of the 1970s and 80s, and the second liberation of the 1990s and 2000s, before turning to some contemporary challenges (e.g., conflict resolution, land tenure, natural resource management, public goods provision, climate resilience, health, urbanization). Each session introduces a major analytical debate, theories, and African views. Broadly comparative; some special attention to selected countries.

The South African Anti-Apartheid movement saw mass resistance against the government's racial segregationist policies. Students will learn about the conditions that gave rise to Apartheid and the Anti-Apartheid movement, taking a look at the instrumental role that the performing arts and protest theatre played in dismantling the unjust system. Participants will develop performance work of their own based in South African protest theatre, encouraging a rejection of excess and on seeing obstacles as opportunities. Students will craft original protest theatre works that address sociopolitical concerns of their choosing.