The Virgin Mary is the world's most storied person. Countless tales have been told about the miracles she has performed for the faithful who call upon her. Although many assume that African literature was only oral, not written, until the arrival of Europeans, Africans began writing stories about her by 1200 CE in the languages of Ethiopic, Coptic, & Arabic. This course explores this body of medieval African literature and paintings, preserved in African Christian monasteries, studying their themes of healing, reparative justice, & personal ethics in a violent world. It develops skills in the digital humanities & comparative literary studies.

How did visual art and literature inform each other in the ancient world and how does viewing this interaction shape how we produce art today? This course is concerned with the adaptation of classical themes in contemporary culture at the interfaces between different media, including literature, visual art, film, music, and video games. We will begin by examining interactions between different artforms in an ancient context, and how such synaesthetic and intermedial spaces were used to explore how we construct and experience reality.

Passion is a common word with a long, complicated history; the diverse meanings we associate with it engage our experience on the most ethereal and abstract as well as the most visceral and profane levels. In this course we will study a range of films from the past eight decades with the aim of understanding how the films situate their subjects, how they narrate and illustrate passion, and how they engage personal, social, and political issues in particular aesthetic contexts.

This class introduces the historic diversity of socialisms through readings in classic socialist philosophy, literature and political writings. We are guided by these questions: How does socialism relate to communism and capitalism? How does it define democracy, equality, freedom, individuality, and collectivity? How does socialism relate to struggles for racial, gender and ecological justice? Are socialist ethics connected to religious traditions such as Christianity and Islam that teach human equality? What is the "social" in socialism? How may we understand injustices committed in socialism's name alongside its striving for social justice?

This course explores oral traditions and oral literary genres (in English translation) of the Slavic and East European world, both past and present, including traditions that draw from the Christian, Muslim, and Jewish East European communities. Topics include traditional rituals (life-cycle and seasonal) and folklore associated with them, sung and spoken oral traditional narrative: poetry (epic and ballad) and prose (folktale and legend), and contemporary forms of traditional and popular culture. Discussion and analysis will focus on the role and meaning of Slavic and East European oral traditions as forms of expressive culture.

Exploring literary texts and films that foreground the benefits, but also the ordeals of transnational migration and the traffic in peoples, goods, and ideas throughout the Mediterranean region, with particular stress on contemporary works and issues. Particular attention will be paid to women's experience of the Mediterranean as a realm of adventure as well as the subjection imposed by patriarchal customs, war, and colonization.

Modern Hebrew literature evolved as a poetic struggle over the boundaries of Israeliness, Hebrew language, and Jewish identity; it sprang up on fault lines of gender, ethnicity, sexuality, nationality, and religion. This course takes us on a journey through Hebrew literature and its relationship with Israeli society from early Jewish immigration to Palestine through the spoken word archive of contemporary Mizrahi poets. We also encounter pioneering queer authors, Palestinian-Israelis, and a Vietnamese-Israeli poet. Readings are supplemented by pivotal films. All readings and films are in English translation; knowledge of Hebrew not required.

Copyright arose in 18C London to regulate the book trade. It now covers almost all creative activities, from visual arts to music, movies, computer code, video games and business methods. How and why did it spread so far, and for whose benefit? Is it the right framework for a large part of modern economies, or is it time for a rethink? This course studies the history of copyright and its philosophical and social justification from Diderot and Dickens to Google and Meta. It returns at each stage to ask how the arts were supported, and how they should be supported now in a world dominated by copyright corporations.

This course aims at reading and analysis of some of the most iconic texts of the Middle Ages including the Mediterranean. In addition to providing a fascinating group of texts for us to discuss, `Rethinking Medieval Cultures' will reveal the many dynamic perspectives at issue during this foundational period of Western civilization. Issues of power - political, religious, amorous and supernatural - attitudes toward sex and gender, slavery, class and dreams are some of the topics voiced in our readings.

The course aims to trace the origins of the first person in the Western literary tradition through the lens of confession, both as discourse and sacrament. By examining a series of texts that date from the late 12th century till the late 14th century, the course will consider how authors staged (oftentimes false) confessions in a bid to test the relation between the first person and truth as well as to claim a novel authority for fiction. By pairing medieval literary and theological texts with contemporary criticism, the course will try to understand how this period paved the way for our understanding of the first person and its discourses.

This seminar considers how the Enlightenment idea of "moral character," as something understood and engendered through reading, connects the emergence of both pornography and the novel as distinct categories of representation in Europe. We will explore the ongoing reverberations of those connections in terms of ethical questions and changing ideas of identity, gender difference, individualism, privacy, subjectivity and new media. Readings in recent criticism, history and theory of pornography and the novel accompany primary readings, which will be drawn mainly from the core of the tradition in French and English literatures.

The age-old relationship between literature and war is fundamentally a problem of ethics. This course is centrally concerned with ethics and aesthetics: the ethics of war, the aesthetics of war literature and film, and the ethics of making art about war. It explores the triangulation of warfare, literature, and ethics in the 20th-21st centuries, approaching this relationship through multiple thematic frames and genres (poetry, fiction, film, photography, and critical essays), with texts drawn from a diverse array of world cultures. Topics include total war, memory and trauma, translation, partition, war and comics, and virtual warfare.

This course examines the unique status of "justice" as an idea whose very conception depends on its inherent relation to practice. Beginning with Plato, we explore why attempts to define the idea of "justice" result in theories of the polis or State, why ethical conceptions of justice require conceptions of freedom, and why conceptions of freedom require aesthetic and linguistic articulation. The course aims to approach these critical issues gradually, through careful readings and discussion of ancient to modern texts, incl. Plato, Locke, Kant, Schiller, Kleist, Hegel, Melville, Adorno, Rawls, Derrida

This course will use Modern Greek literature as a case study for formation of nationalizing literary canons. We will explore the historical roots of the Greek nation-state, the homogenization of its linguistic landscape, and the consolidation of a genealogically based, ethnic majoritarian understanding of citizenship and belonging, focusing specifically on the role literature and literary culture play in these processes. Who counts as a Greek writer? Who is excluded? How do writers and works enter the world literary sphere in nationally and ethnically coded ways? Knowledge of Greek is useful but not essential for the course.

Why have so many masters of verbal art relied on the stylistics and epistemologies of jazz musicians for the communication of experience and disruption of conventional concepts? We'll draw on musical recordings, live in-class performances by guest jazz artists, poetry, fiction, and recent debates in jazz studies, critical theory and Black studies. Advanced undergraduate and graduate students of literature and/or music are welcomed, but proficiency in both disciplines is NOT required. We will develop together techniques of close reading and listening. Optional performance component for music instrumentalists and vocalists.

The Writing and Dissertation Colloquium is a biweekly forum for graduate students in Comparative Literature to share works in progress with other graduate students. The seminar welcomes drafts of your prospectus, article, dissertation chapter, conference paper, exam statement and grant or fellowship proposal. The 90-minute sessions, done in conjunction with a rotating COM faculty member, are designed to offer written and oral feedback. The goal is to provide a space for students to share their work-in-progress and improve the writing and research skills. The reading materials are pre-circulated before each session.

This course aims to explore different forms that the question of liberation has taken in writings by women philosophers and poets whose work helped to create cultural and political movements in the U.S. and Latin America. Starting in the 1960s, it studies different philosophical concepts and poetic figures that have shaped the language of feminist struggles (intersectionality, care and the commons, reproductive justice, "feminicidal" violence, social reproduction). Readings include Gloria Anzaldúa, Angela Davis, Silvia Federici, Verónica Gago, Raquel Gutiérrez, Audre Lorde, Bety Ruth Lozano, Cristina Rivera Garza, among others.

Recontextualizing the `Rise of the Novel': We revisit dominant Anglocentric accounts of the novel's origins in a wider European context, reading 17th-18th century fiction & criticism; reconsider "the novel" as a narrative epistemology of character competing with other genres (history, romance, drama); trace its development from a hybrid of earlier popular forms to an established literary genre, now the predominant one, in response to profound shifts in conceptions of gender, identity, literature, probability, sensibility, epistemology, the rise of the middle class, the nuclear family, industrialism, individualism, and colonialism.

Students will choose, early in the semester, one author to focus on in fiction, poetry, or drama, with the goal of arriving at a 20-25 page sample of the author's work. All work will be translated into English and discussed in a workshop format. Weekly readings will focus on the comparison of pre-existing translations as well as commentaries on the art and practice of literary translation.

Students will choose, early in the semester, one author to focus on in fiction, poetry, or drama, with the goal of arriving at a 20-25 page sample of the author's work. All work will be translated into English and discussed in a workshop format. Weekly readings will focus on the comparison of pre-existing translations as well as commentaries on the art and practice of literary translation.

This course examines the comic book as an expressive medium in Japan. Reading a range of works, classic and contemporary, in a variety of genres, we consider: How has the particular history of Japan shaped cartooning as an art form there? What critical approaches can help us think productively about comics (and other popular culture)? How can we translate the effects of a visual medium into written scholarly language? What do changes in media technology, literacy, and distribution mean for comics today? Coursework will combine readings, written analysis, and technical exercises. All readings in English. No fine arts experience required.

This course is an introduction to contemporary Chinese cinemas in China, Hong Kong, and Taiwan. From postwar musicals and pan-Asian blockbusters, to new wave avant-garde films and experimental documentaries, the diversity of Chinese cinemas reflects cinema's relations to global capitalism, Asia's democratization movements, financial crises, and the arrival of (post)socialism. Creating urban nomads, songstresses, daydreamers, travelers, and terrorists, Chinese cinemas put on full display the forces of globalization in shaping the aesthetics and politics of film. Selections broadly include popular commercial films to rare art house productions.

This course examines postwar Japanese experience through major literary, cinematic, and intellectual achievements. The objective is first to analyze a multitude of struggles in the aftermath of the Asia-Pacific War, and then to inquire into the nature of post-industrial prosperity in capitalist consumerism and the emergence of postmodernism. The course will cover representative postwar figures such as, Oe Kenzaburo, Dazai Osamu, Mishima Yukio, as well as contemporary writers such as Murakami Haruki. Topics include the rise of democratic ideas, unsolved issues of war memories, and the tension between serious and "popular" fiction writing.

Using family as a lens and a theme that brings together an array of vastly different literary, filmic, and theoretical works, this class will examine key moments in the history of Korea from 2019 to old times. We will look into disenchanted families, violent families, cyborg families, mixed race families, immigrant families, South and North Korean families, royal families, and more. Maintaining the longue-duree historical perspective, we will ponder on the ethical and aesthetic premises of kinship and family as modes of configuring human reciprocity and ways to imagine and live life.

This seminar explores the confluences among Japanese, Black, and Indigenous thought in both creative and critical modalities. Through the uncharted encounters among Pacific and Caribbean discourses of ecological reimagining, the course surfaces the generative potentials of a planetary and comparative humanities. Participants develop creative/critical engagements with diverse scholarly approaches and collaborative experimentations with textual, audio-visual, and place-based forms of expression. Together, we trace the speculative archipelagoes that sound out shared but disparate genealogies of anti-colonial inquiry.

This course will focus on a major intellectual controversy of the 17th and 18th centuries known as the Quarrel of the Ancients and the Moderns. Through close readings of seminal texts we will address issues pertaining to the historical significance of the Quarrel, its sociopolitical implications, and the role it played in the cultural and scientific evolution of early modern Europe. We will approach the Quarrel as a critical moment in the prehistory of modernity that resulted in a redefinition of concepts such as mimesis and originality, tradition and innovation, decline and progress.

This course examines how politics and culture play out in that most refined of art forms: opera. The course will introduce students to the history of European opera, focusing on 19th century composers in France, Germany, and Italy. We will closely examine three operas: one French (Bizet's Carmen), one Italian (Verdi's Aida) and one German (Wagner's Die Meistersinger). Following Edward Said's work, we will examine how politics and culture play out in these works: European colonialism in Aida; the question of antisemitism in Wagner; stereotypes of Spain in Carmen. Includes excursions to the Metropolitan Opera.

John Milton's writings reflect a lifelong effort to unite the aims of political, intellectual and literary experimentation. This class explores Milton's major works, especially Paradise Lost. We'll consider Milton's highly original characters, especially Satan, with whom we are invited to sympathize, but also Adam, Eve and Samson. We'll encounter Milton's startling poetic innovations, his controversial ideas about sovereignty, marriage and God, and we will consider Milton's writings in relation to other genres, from late antique theology and medicine to much more recent sci-fi and crime fiction.

Inter-disciplinary class on early modern Amsterdam (1550-1720) when the city was at the center of the global economy and leading cultural center; home of Rembrandt and Spinoza (Descartes was nearby) and original figures like playwrights Bredero and Vondel, the ethicist engraver Coornhert, the political economist de la Court brothers and English traveling theater. We go from art to poetry, drama, philosophy and medicine. Spring Break is in Amsterdam with museum visits, guest talks and participation in recreation of traveling theater from the period.

This class engages with spatial analysis across a range of disciplines and approaches; from architecture, architectural theory and manifestos to continental philosophy, Marxism, Black studies, decolonial writings, and a sample of graphic- and novelistic depictions of built space. We ask whether thinking about built space as a "language" is fundamentally different from "picturing" space or inhabiting space with our bodies, and whether these approaches count as "cognitive mapping." We contemplate the dystopian actualities and utopian possibilities inherent in the built environment and the constructive projects of world building.

The Anthropocene names both the advent of human mastery over nature and the serial catastrophes that now challenge our "risk society", from climate change and global plagues to nuclear fallout, flooding, the sixth extinction, and environmental racism. Literary testimonies can help us rethink the human relationship to the environment by shedding a unique light on how distinct cultures live this rapport. By studying novels, films, plays, and essays from France, Russia, Nigeria, India, Japan, and the US, we will see how some of the world's most exposed populations have navigated the lethal cross-currents of modernity.

Georges Perec (1936-1982) was among the most innovative writers of the twentieth century, whose work encompasses fiction, poetry, radio drama, essays and many unclassifiable texts more or less related to the idea of constrained or formal writing. Relatively obscure for most of his lifetime, Perec has emerged as a post-modern master over the last thirty years and his never pretentious and occasionally humorous work is now published in the prestigious Pléiade collection. This course aims to read through the entire œuvre in a single semester and to assess its aesthetic, human and historical importance.

This seminar explores the literary text as not just a text, but an aesthetic medium. Critical readings and practical analyses aim to develop a theoretical foundation for an "art of the text." Each text begins at its own beginning, on paper or on a desktop, and ends with the images, emotions, and voices it evokes, as a literary text. This journey leads to the stylistic topoi or "common places" that, since antiquity, have been used to map the domains of literary texts and to trace their ways of worldmaking. This seminar provides an overview of classical rhetoric, literary aesthetics, and modern and postmodern literary theory.

The course explores a range of problems in the history of aesthetics, poetics and cultural techniques. These include intersections of aesthetics and politics, art and literature¿s relationship to social context and social theory, the history of perception and knowledge practices, performance theory, the problem of judgement, aesthetic critique, and ecological aesthetics.

The modern European novel has been haunted by the accusation of illegitimacy. From its eighteenth-century inception onward, the uncomfortable place of the novel among the poetic genres inherited from antiquity has solicited an unparalleled intensity of critical reflection. This course examines several 'classical' and contemporary meditations on the novel, alongside close consideration of three representative early examples. We will probe the uses and disadvantages of generic distinctions at the intersection of literary history and literary theory.

Poetry occupies a significantly large space in the public sphere in South Asia. In addition to the expected areas of literature and performing arts, poetry is routinely performed in different domains of everyday life. This course will introduce students to various traditions, texts, and genres of Hindi-Urdu poetry that are routinely publicly performed as part of religious rituals, social practices, performing arts, and protest rallies. We will closely read some of the most widely performed Hindi/Urdu poems as independent literary texts, experience them as performances, and then analyze both texts and performances in their own contexts.

Focusing on René Char's wartime "notebook" of prose poetry from the French Resistance, Feuillets d'Hypnos (Leaves of Hypnos), this course joins a study of the Resistance to a poet's literary creation and its ongoing "afterlife" in translations around the globe. History, archival research (traditional and digital), the practice of literary translation, and a trip to France that follows in Char's footsteps as poet and Resistance leader will all be part of our exploration. We will conclude with a dramatic performance of the "notebook" in multiple languages, as created by seminar participants.

Italy, homeland of poets, saints, navigators, and... weirdos. In this class, we turn stereotypes that depict Italy as the land of beauty and classicism inside out, and focus instead on how distinctively weird much of Italy's modern artistic production is. Is the Italian polymath Giacomo Leopardi the unsung grandfather of weird fiction? Did Giorgio De Chirico and Italo Calvino influence Jeff VanderMeer's Annihilation? Leveraging theorizations on the topic as well as transmedial and transnational perspectives, we study what it means for something to be weird, why weird art fascinates us, and if we should all try to be weirder.

This course examines what it means to be Caribbean, or of Caribbean descent, in the diaspora- either the United States, England, and France due to their stake in colonizing the Caribbean in the quest for imperial power and modernity, and how Caribbean culture has been defined in historical and contemporary contexts through a survey of Caribbean diasporic literature. In this course students will learn how legacies of colonialism and modernity affect Caribbean populations and how they negotiate empire, identity, language, culture, and notions of home.

This course examines literature and film by South Asians in North America. Students will gain perspective on the experiences of immigration and diaspora through the themes of identity, memory, solidarity, and resistance. From early Sikh migration to the American West Coast, to Muslim identity in a post 9/11 world, how can South Asian American stories be read as symbolic of the American experience of gender, class, religion, and ethnicity more broadly? Students will hone their skills in reading primary materials, analyzing them within context, writing persuasively, and speaking clearly.

We live in uncertain times, marked by ever-escalating crises. It's no surprise that the moment has seen a revival of utopian thought: a casting about for radical solutions, a quest for dramatic reinvention. Historically, utopia has largely been seen as a Western construct. But what models -and by extension potential solutions- does the non-Western world offer? This course examines utopia from a South Asian perspective. Considering a range of examples (the nation state, Maoist revolution, environmental movements, intentional communities), it asks how change occurs, and what cautionary lessons history offers those seeking a more perfect world.

We start with Tolstoy's artistic stimuli and narrative strategies, explore the author's provocative visions of war, gender, sex, art, social institutions, death, and religion. The emphasis is placed here on the role of a written word in Tolstoy's search for truth and power. The main part is a close reading of his masterwork The War and Peace (1863-68) - a quintessence of both his artistic method and philosophical insights. Each student will be assigned to keep a "hero's diary" and speak on behalf of one or two major heroes of the epic (including the Spirit of History). The roles will be distributed in accordance with the will of fate.

Analysis of works of one of Russia's most important contemporary writers. Focus on major novels, including "Pushkin House," the 1st Russian postmodernist novel. We explore his wide-ranging concerns, such as psychology; philosophy; science; other arts (including jazz & cinema); people's relationship to other biological species; integrity & societal and psychological obstacles to it. We examine him as a Petersburg writer. Focus also on his relationship to time, history, & other writers; his place in Russian & Soviet literature & culture.

This course offers an investigation of the literary, medical and philosophical treatment of women and men in Medieval and Early Modern Spain. We will consider fundamental works by both male and female authors, thereby enabling us to compare the ways in which each gender was regarded in and of itself and by comparison with the other. Cultural and literary contexts from the 12th to the 17th centuries will reveal a wealth of perspectives. We will encounter such topics as the cult of women, misandry and misogyny, as well as debates centering on such crucial matters as childbirth, witchcraft, and the evil eye will be explored. Taught in Spanish

Academic work in disciplines across the humanities and humanistic social sciences are fueled in part by practices of translation, and many disciplines are moving toward a consideration of translation as scholarship in its own right. Yet few graduate students are trained in practices of translation, either within their discipline or as an interdisciplinary mode of intellectual engagement. This graduate translation workshop aims to help students from various departments hone a practice of translation that can stand on its own as a scholarly endeavor, while also deepening and enriching the other forms of research & writing in which they engage.