What is Greek art, and why has it captivated the imagination of artists, thinkers, and travelers for centuries? We will survey the major monuments, objects, and archaeological sites in order to critically examine its seminal place in the western tradition. Diverse types of material evidence will inform an intellectual journey leading from the very first Greek cities to the luxurious art of Hellenistic kings. Lectures are organized chronologically and thematically, and precepts offer the unique experience of hands-on interaction with objects in the art museum's collection.

The course explores how art worked in politics and religion from ca. 300-1200 CE in Europe, the Middle East and Africa. Students encounter the arts of Catholicism and Orthodoxy, Judaism and Islam, great courts and migratory societies; dynamics of word and image, multilingualism, intercultural connection, and local identity. We examine how art can represent and shape notions of sacred and secular power. We consider how the work of 'art' in this period is itself powerful and, sometimes, dangerous. Course format combines lecture on various cultural contexts with workshop discussion focused on specific media and materials, or individual examples.

Survey of the transformations in Greek art beginning with the decline of the Classical period (fifth century BCE) and continuing through the period of Alexander the Great's unification of the Mediterranean world, up to and including the Roman conquest of the east. Emphasis on sculpture, painting, and mosaic.

This course examines the role of the senses in art and architecture to move beyond conceptions of art history that prioritize vision. While the experience of art is often framed in terms of seeing, the other senses were crucially involved in the creation of buildings and objects. Textiles and ceramic vessels invite touch, gardens involve the smell of flowers, sacred spaces were built to amplify the sound of prayers and chants. The focus will be on the medieval and early modern Mediterranean. Readings will range from medieval poetry and multisensory art histories to contemporary discussions of the senses in design and anthropology.

This course examines the architectural framework for public social life in the ancient Aegean. A range of case studies tackles issues from the engineering of some of the Mediterranean world's largest structures to modern uses of ancient theaters.

A seminar devoted to the long-standing problems concerning the tradition of Greek sculpture, most of which survives in later Roman copies. Replication was fundamental to ancient artistic practice and remains central to both its critical evaluation and its broad appreciation. Emphasis is on stylistic comparison of the surviving copies (Kopienkritik); critical engagement with the ancient written sources that attest the most famous works (opera nobilia); and the historiographic tradition in modern scholarship devoted to these works and the problems they pose.

Henry Staten has recently argued for a re-evaluation of art in relation to the concept of techne. This seminar addresses this argument by considering the evidence for artistic production from ca. 300-1600. Working from objects, written sources, and archaeological evidence, the class seeks to define both the status of the artist and of the arts across this period. Social, economic, and cultural considerations shape this conversation. When possible, each meeting builds upon the close examination of works in the Princeton University collections.

This course will explore the theory and practice of rhetoric in ancient Greece and Rome and the ways in which classical rhetoric has been adapted in modern American verbal art. From Gorgias and Demosthenes to Lincoln and Douglass, to Ida B. Wells and Fannie Lou Hamer, we will consider what makes individual speeches noteworthy in their local, historical contexts, as well as placing them in a larger rhetorical tradition. Throughout, we will analyze the role of ideologies of gender, class, race, nationality, religion, and sexuality in the construction of the rhetorical subject.

This course looks at the formation of a techne ("art" or "science") of medicine in fifth-century BCE Greece and debates about the theory and practice of healthcare in Greco-Roman antiquity. We look at early Greek medicine in relationship to established medical traditions in Egypt and Mesopotamia; medical discourses of human nature, gender, race, and the body; debates about the ethics of medical research; the relationship of the body to the mind; and the nature of "Greek" medicine as it travels to Alexandria, Rome and Baghdad. Readings drawn from primary sources as well as contemporary texts in medical humanities and bioethics.

Most often seen in opposition, Greco-Roman Classical culture and Christianity have a long history of reciprocal reliance. Neither would look as it does today without the other. Through readings and discussion of both Classical and Christian texts, as well as art and architecture, this course will inquire into the Classical roots of much Christian theology, ethics, cosmology, and values more broadly, while also considering the effect on Classics as a cultural cornerstone of societies beholden to these twin traditions.

This course compares ideologies and practices of monarchic rule across Greece and the Near East. We will investigate how monarchs established their rule, how they faced opposition, and which strategies they adopted to legitimize their power. We will ask what makes a monarch a "tyrant" rather than a "king" and why monarchy turned out to be disgraceful for the Greeks compared to their neighbors. We will read texts produced by royal courts as well as compositions which sketch the profile of the "ideal monarch". We will also look at monuments which monarchs erected during their reigns and investigate their historical and political significance.

A comprehensive introduction to the central topics and methods of Greek history, offering a chronological overview of periods and significant developments; a survey of the current state of the field and of specialized sub-disciplines (e.g., epigraphy and numismatics); and an exploration of interdisciplinary theoretical approaches to the study of the past.

This seminar is designed for those who have experience or interest in teaching literature in carceral contexts. The class plan is decided collectively, but includes a mix of readings (theoretical and practical), personal writing and reflection, and workshopping syllabi and class plans. As a final project, each student designs a syllabus for a course that could be taught in a prison.

This course will focus on the history of the later Roman Empire, a period which historians often refer to as "Late Antiquity." We will begin our class in pagan Rome at the start of the third century and end it in Baghdad in the ninth century: in between these two points, the Mediterranean world experienced a series of cultural and political revolutions whose reverberations can still be felt today. We will witness civil wars, barbarian invasions, the triumph of Christianity over paganism, the fall of the Western Empire, the rise of Islam, the Greco-Arabic translation movement and much more.

The ancient Greeks imagined a woman's body ruled by her uterus. Medieval Christians believed in a womb touched by God. Renaissance doctors uncovered the 'secrets' of women through dissection, while early modern states punished unmarried mothers. This course will ask how women's reproductive bodies were sites for the production of medical knowledge, the articulation of state power, and the development of concepts of purity and difference from ancient Greece to 18th-c. Europe. The course will incorporate sources as varied as medieval sculptures of the Madonna, Renaissance medical illustrations, and early modern midwifery licenses.

To provide the basis for acquiring a command of written and spoken Modern Greek.

This course aims at developing students' communicative and intercultural competence in Modern Greek, while acquainting them with the accomplishments and challenges of Modern Greek society.

Situated between the academic study and museumization of premodernities and contemporary art, the course examines curation as a transdisciplinary practice of care that preserves, values, and claims knowledge of objects and periods marked in colonial modernity as "ancient" or "classical." How is antiquity shaped as an object of expertise and attention within the university and the museum? In what ways does curating distant pasts construct, challenge, or remake communities in the present? Drawing on case studies from Greece and India, we also ask how comparison both abets and blocks the theorization of antiquity as an object of care.

To what extent is globalization a new phenomenon? This seminar considers the flow of people (free and enslaved), commodities, and manufactured goods across Europe, Africa and Asia, with a focus on the human and qualitative dimensions. We will touch on the Indian Ocean, the Mediterranean basin, the overland Silk Roads and the Atlantic world; the time-span ranges from the ancient Greeks to the eighteenth century; among the trading diasporas we will consider are Jews and Armenians. Readings include classic and newer studies as well as merchant correspondence and sailors' logs.

This course discusses the ideas and arguments of major ancient Greek philosophers and introduces students to the history and continued relevance of the first centuries of western philosophy. Topics include the rise of cosmological speculation, the beginnings of philosophical ethics, Plato's moral theory and epistemology, Aristotle's philosophy of nature, metaphysics and ethics. The course also includes discusses how the canon of ancient philosophy was shaped and contains a dedicated unit focusing on women, slaves, and non-Greeks in ancient philosophy.

We shall study Aristotle's contributions in logic, natural philosophy, metaphysics, and ethics, with emphasis on the ongoing philosophical interest of some of his central insights. We shall compare some of Aristotle's views with those of some of his successors, Hellenistic and beyond.

An exploration of Aristotle's introduction to his political theory in Book I of his Politics, with special attention to his theories of wealth and slavery.

Who was Jesus of Nazareth, and how do we know about him? Why did some interpretations of truth -- and his message -- win out over others? How have these particular ways of thinking influenced western culture, shaping our views of politics, race and ethnicity, sexuality and gender, civil and human rights even now? To answer questions like these, we'll investigate the earliest gospels, letters, Jewish and Roman sources, prison diaries and martyr accounts -- as well as how artists, filmmakers, musicians and theologians interpret them. Regardless of religious background, or none, you will learn a lot, and be able to contribute.

This seminar introduces students to the field of papyrology, the study of ancient texts preserved on papyrus. Papyri have contributed greatly to our understanding of daily life, government, and textual transmission and many other aspects of antiquity. The course teaches students the skills to read and understand ancient documents and literature preserved on papyrus. The papyri found at the garbage heaps of the ancient Egyptian city of Oxyrhynchus will serve as case studies in this class. Special attention will be paid to the importance of papyri for religious and social history.