This course explores the intellectual history of scientific racism, paying close attention to how its theories influence power and institutions today. Reading primary sources from the history of science, each class will trace the reverberations of scientific racism in media, education, politics, law, and global health. Our conversations will consistently analyze the intersections of race, gender, sexuality, and age in the legacies of scientific racism. We will also examine the impact of scientific racism in public discourse about the Black Lives Matter Movement and collectively brainstorm for activism towards restorative justice.

This course examines media practices in the context of Black Lives Matter, police violence, and criminal justice reform. What are the ethics of mass broadcasting videos of police murders? Who is seen as an "expert" on policing and mass incarceration? This course nests contemporary questions in historical and institutional context, beginning with nineteenth-century racial criminalization and the norms of profit-based mass media. This course is interdisciplinary, drawing on scholarship from history, media studies, social psychology, and the politics of racism, crime, and punishment.

This course draws on anthropology, history, critical theory, films and documentaries, fictive and journalistic writing to explore violence, its power and meaning. We will explore conquest and colonialism, genocidal violence, state violence and political resistance, everyday violence, gendered violence, racialization, torture, as well as witnessing and repair. Building across disciplines and working with heterodox theoretical frameworks (post-colonial/decolonial, non-Western, feminist, and indigenous approaches), this course invites us to understand violence in its multifaceted physical, symbolic, social, political and cultural manifestations.

Part of a series of seminars studying the parallel development of biological theories and architectural practices in the 19th and 20th c., this course focuses on the entanglement of architectural historiography with the historicization of design technology. It examines the historical treatment of buildings as prosthetic or organic tools and the reinvention of building practices as biological processes and anthropological techniques. Seminars probe the periodization of historical time in terms of progress and obsolescence informing early histories of modern architecture and design.

This seminar will explore ethical issues in the study and practice of archaeology, cultural resource management, museum studies, and bioarchaeology. Students are expected to substantively contribute to class discussions on a weekly basis, as well as to lead the discussion of one set of readings. Weekly seminars will be accompanied by a group midterm debate on an assigned ethical issue and an individual final research project (with a class presentation and 20-minute final conversation with Prof. Kay).

An introduction to the classical myths in their cultural context and in their wider application to human concerns (such as creation, sex and gender, identity, transformation, and death). The course will offer a who's who of the ancient imaginative world, study the main ancient sources of well known stories, and introduce modern approaches to analyzing myths.

The astonishing preservation of Pompeii has captured popular imagination ever since it was rediscovered beginning in the 1700s. This course will uncover the urban fabric of the city. We will look at its layout, at public and private buildings and their decoration, and at the wider cultural, geographical and historical contexts. Using physical remains alongside texts in translation, we will explore aspects of the lives of the inhabitants, including entertainment, housing, religion, economy, slavery, political organization and expression, roles played by men and women inside and outside the family, and attitudes towards death.

This course will examine the origins, evolution and organization of the democratic system in Athens, and address some of the most controversial questions about the topic: To what extent was Athens democratic? What were the links between Athenian democracy and its aggressive imperialism? What are the similarities and differences between ancient and modern ideas of democracy?

What was/is Roman religion? Our main focus in this course will be the nature, variety, and geographic range of the source material for religious practice in the Mediterranean world of the Roman Republic and Empire (6th c. BCE-5th c. CE). We'll examine how, and with what repercussions, Roman religion set the terms for and changed in response to Rome's expansion into a Mediterranean empire. Finally, we'll think about the place of "Roman religion" in the global history of religion, and the usefulness of the term "religion" to characterize how the Romans related to their gods.

The Bible created and divided the world. This course explores that deep history by examining how the Bible itself was shaped: when, how, and by whom it was written; how it recorded and reworked history; how it responded to and changed politics and culture; how it gave birth to the way we read everything today. No experience with literature or the Bible is necessary. Short exercises will show how to read translations closely, and how to work with the original Hebrew and Greek versions.

Exploiting the homonymic play between "red" and "read," this course considers the relations between political engagement and different forms of activist literacy. In what way are reading and writing a means of doing political work? Why is it that, in Reading Capital, Louis Althusser famously insists that "only since Marx have we had to begin to suspect what, in theory at least, reading and hence writing means"? Analyzing writings by, among others, Marx, Luxemburg, Benjamin, Du Bois, and Jameson, we will think of how sentences are inseparable from the possibility of mass formations, insurrectionary politics, and collective action.

Our aim is to examine how the "social" and the "economic" become intertwined. From Enlightenment narratives about the origins of civilization, whether philosophical, ethnographic, or fictional, by Swift, Rousseau, or Graffigny, we also consider history-writing by Voltaire and Gibbon. We read early economic and sociological thought by Malthus, Saint-Simon, Balzac, and Smith, and delve into the crystallization of broadly Marxist approaches to society and culture in Engels, Benjamin, and, of course, Marx. While the category of "literature" will be an important lens for our thinking, archival and historical approaches will also be stressed.

What's the point of education? What should anyone truly learn, why, and how? Who gets to attend school? Is it a right, a privilege, a duty, an investment, or a form of discipline? Do schools level the playing field or entrench inequalities? Should they fashion workers, citizens, or individuals? Moving from France to the US, and from the Enlightenment to the present, we look at the vexed but crucial relationship between education and democracy in novels, films, essays, and philosophy, examining both the emancipatory and repressive potential of modern schooling. Topics include: Brown, class, meritocracy, testing, and alternative pedagogies.

In the wake of a series of recent events "Havana syndrome," acoustic devices for suppressing protests, etc.--the weaponization of the acoustic has gained widespread public attention. But these dystopic accounts obscure the fact that sound has always been intimately connected to the political. This seminar explores the many political dimensions of the acoustic: from tonality as a colonizing force to the algorithmization of listening; from acoustic regimes of urban space to the ecological dimensions of audio technologies; from questions of noise and sonic pleasure to the deployment of sound both for protest and as a mechanism of control.

Ruled from Constantinople (ancient Byzantium and present-day Istanbul), the Eastern Roman or Byzantine Empire survived the collapse of the Western Roman Empire by over a millennium. This state on the crossroads of Europe and Asia was Roman in law, civil administration, and military tradition, but predominantly Greek in language, and Eastern Christian in religion. The course explores one of the greatest civilisations the world has known, tracing the experiences of its majority and minority groups through the dramatic centuries of the Islamic conquests, Iconoclasm, and the Crusades, until its final fall to the Ottoman Turks.

Humanistic Studies 216-219 is an intensive yearlong exploration of the landmark achievements of the Western intellectual tradition. With a team of faculty drawn from across the humanities and social sciences, students examine pivotal texts, events, and artifacts of European civilization from antiquity forward. The course is enhanced by guest lectures from preeminent scholars. This double-credit course meets for six hours a week and fulfills distribution requirements in both LA and HA.

In combination with HUM 216, this course explores the landmark achievements of European civilization from antiquity to the middle ages. Students must enroll in both 216 and 217, which constitute a double-credit course. The lecture component for HUM 217 is listed as TBA because all meetings are listed under HUM 216. There are no separate meeting times for HUM 217.

An introduction to the literature, art, religion and philosophy of China, Japan and Korea from antiquity to ca. 1600. Readings focus on primary texts in translation and are complemented by museum visits and supplementary materials on the course website. The course aims to allow students to explore the unique aspects of East Asian civilizations and the connections between them through an interactive web-based platform, in which assignments are integrated with the texts and media on the website. No prior knowledge of East Asia or experience working with digital media is required.

This course focuses on the Near East from antiquity to the early centuries of Islam, introducing the most important works of literature, politics, ethics, aesthetics, religion, and science from the region. We ask how, why, and to what ends the Near East sustained such a long period of high humanistic achievement, from Pharaonic Egypt to Islamic Iran, which in turn formed the basis of the high culture of the following millennium.

Why do people love Broadway musicals? How do audiences engage with musicals and their stars? How have fan practices changed since the 1950s alongside economic and artistic changes in New York and on Broadway? In what ways does "fan of" constitute a social identity? How do fans perform their devotion to a show, to particular performers, and to each other? This class examines the social forms co-created by performers and audiences, both during a performance and in the wider culture. Students will practice research methods including archival research, ethnographic observation, in-depth interviewing, and textual and performance analysis.

This seminar introduces the digital humanities by exploring key debates around the meaning of humanities data. Like "slow food"--a movement where diners, farmers, and chefs rethink what and how we produce and consume--we will explore data as local, embedded, and requiring careful critical reflection. How can computational tools help us to understand art and literature? What do digital archives reveal (or obscure) about the people who make them? We will explore the foundations of this field while also discussing concerns that emerge when accessing and maintaining digital projects in time and across global and local contexts.

The students will pursue inquiry beyond the conventional boundaries of the two respective disciplines (ART and CEE): to learn and master relevant elements of structural engineering and to understand, appreciate, and solve myriad problems of realization of large structural works, including their design, structural analysis, and construction; and, concomitantly, to pursue a fully historical contextualization of architectural structures, including the technological developments, sociological aspects, and aesthetic traditions in which these monuments find their place. Students will work in mixed groups and collaborate on their course projects.

Co-taught with renowned artist Josephine Meckseper, this seminar will explore the dynamics of creative collaboration through case studies of utopian communities of artistic practice in 20-c. Europe and the US (Worpswede, Bauhaus, Black Mountain) and the architecture of modern cities planned and imagined. We'll consider how utopian and dystopian ideas emerged historically, and bring critical perspectives to bear on concepts of utopia in relation to colonialism and capitalism. We'll not only study but also practice collaborations across disciplines and media. Seminar guests will include artists and writers. Enrollment by application; see below.

Academic life is largely configured along disciplinary lines. What are "disciplines," and what does it mean to think, write, teach, and work within these socio-cognitive structures? Are there alternatives? This course, drawing on faculty associated with the Interdisciplinary Doctoral Program in the Humanities (IHUM), takes up these questions, in an effort to clarify the historical evolution and current configuration of intellectual activity within universities. Normative questions detain us. The future is a persistent preoccupation. Collaborative work and generic experiment are encouraged.

We will begin in 476 with the fall of Rome and will end in 1453, with the fall of New Rome (Constantinople). In between, we will trace the different trajectories that the area stretching from Iceland to Iran traveled along over the course of this fateful millennium. We will meet Northern barbarians, Arab armies, Vikings, Crusaders, Mongols, and the Ottomans; we will witness the birth of Islam and medieval Islamic civilization; Charlemagne's creation of the Western Roman empire; will see clashes between Popes and rulers and Caliphs and Muslim religious authorities. We will do all this and more, all the while asking: what were the Middle Ages?

Why do we like some works of art more than others? Can an evil artwork be beautiful? How do aesthetic and interpretive norms vary across mediums? The aim of this course is to introduce students to philosophical issues about the nature of art objects and their interpretation, with a special focus on film and literature. On-going topics of discussion will include the relationship between moral and aesthetic evaluation, the interpretive significance of medium, and the nature of fictional representation. Assignments will include watching films, which will be central subjects of class conversation.

This seminar explores constitutional and legal issues posed by the attempted secession of eleven states of the Federal Union in 1860-1865 and the civil war this attempt triggered. Issues to be examined include the nature of secession movements (both in terms of the constitutional controversy posed in 1860-1861 and modern secession movements), the development of the "war powers" doctrine of the presidency, the suspension by the writ of habeas corpus, the use of military tribunals, and abuses of civil rights on both sides of the Civil War.

How are ideas of belonging to the body politic defined in Spain, Latin America, and in Spanish-speaking communities in the United States? Who is "Latin American," "Latinx," "Chino," "Moor," "Guatemalan," "Indian," etc.? Who constructs these terms and why? Who do they include/exclude? Why do we need these identity markers in the first place? Our course will engage these questions by surveying and analyzing literary, historical, and visual productions from the time of the foundation of the Spanish empire to the present time in the Spanish speaking world.

Translation is at the heart of the humanities, and it arises in every discipline in the social sciences and beyond, but it is not easy to say what it is. This course looks at the role of translation in the past and in the world of today, in fields as varied as anthropology, the media, law, international relations and the circulation and study of literature. It aims to help students grasp the basic intellectual and philosophical problems raised by the transfer of meanings from one language to another (including in machine translation) and to acquaint them with the functions, structures and effects of translation in intercultural communication.

This course will explore the crucial connections between migration, language, and translation. Drawing on texts from a range of genres and disciplines - from memoir and fiction to scholarly work in translation studies, migration studies, political science, anthropology, and sociology - we will focus on how language and translation affect the lives of those who move through and settle in other cultures, and how, in turn, human mobility affects language and modes of belonging.

This seminar introduces urban studies research methods through a study of New York in conversation with other cities. Focused on communities and landmarks represented in historical accounts, literary works, art and film, we will travel through cityscapes as cultural and mythological spaces - from the past to the present day. We will examine how standards of evidence shape what is knowable about cities and urban life, what "counts" as knowledge in urban studies, and how these different disciplinary perspectives construct and limit knowledge about cities as a result.

This seminar introduces the study of gentrification, with a focus on mapping projects using GIS (Geographic Information Systems) software. Readings, films, and site visits will situate the topic, as the course examines how racial landscapes of gentrification, culture and politics have been influenced by and helped drive urban change. Tutorials in ArcGIS will allow students to convert observations of urban life into fresh data and work with existing datasets. Learn to read maps critically, undertake multifaceted spatial analysis, and master new cartographic practices associated with emerging scholarship in the Digital and Urban Humanities.