Creation stories from Turtle Island foreground an integral connection between land and story. "Sky Woman Falling" contains key ecological and environmental knowledge. This course explores the relationship between land and story, emphasizing seeds as sources of sovereignty and repositories of knowledge across generations. We focus on Native New Jersey while understanding the history of this land in the context of global indigeneity and settler colonialism. Course literature engages seeds, land, and the environment from a perspective that crosses the disciplines of American studies, literature, history, ecology, and environmental studies.

Medical Anthropology explores how structural violence and the social markers of difference impact life chances in our worlds on edge. While addressing biosocial and therapeutic realities and probing the tenets of medical capitalism, the course articulates theoretical and practical contributions to apprehending health as both a struggle against death and a human right. We will learn ethnographic methods, engage in critical ethical debates, and experiment with modes of expression. Students will develop community-engaged and artistic projects and consider alternative forms of solidarity and care emerging alongside newfangled scales of harm.

This course explores what we do with language and other modes of expression and how these modes shape our communicative capacities. Why do we gossip? How do we decide what communication is appropriate face-to-face or via text or email? What informs our beliefs about civility and obscenity? How do we decide what credible speech is? What happens when a culturally rooted expressive form (say, a dance) is taken up by people elsewhere for other aesthetic and political ends? We will explore such questions by studying theories and ethnographies of a range of phenomena: love-letters, gossip, poetry, asylum appeals, spoken word, and more.

Michel-Rolph Trouillot (1949-2012) argued that «theory is done at the center; color comes from the margin.» Anthropology offers knowledge and insights into the lived worlds of humanity at large. Calls to «decolonize anthropology» are by no means new. But anthropology continues to be a discipline dominated by Western scholars and institutions, and overwhelmingly white. This course will offer an introduction to post- and de-colonial literature and scholarship, and important scholars of and from the `Global South', and/or of indigenous or racialized minority background from the `Global North.'

This seminar explores architecture in out-of-the-way places through the perspectives of an unlikely set of historical actors: counterinsurgency experts, guerrilla fighters, Indigenous resistance groups, government officials, religious activists. Thinking from the intellectual traditions of the global South, the course explores the ways in which architecture was employed as a narrative device in twentieth century environmentalist movements.

To distance architecture from the "war machine," architects called for the reintegration of the arts after WW2. The resulting post-war Gesamtkunstwerk accompanied the development of ever larger corporations and corporate architectural practices integrating new kinds of agents into their increasingly complex wholes, from women designers and computing services to global environmental and economic models. By exploring how corporations--Olivetti in Ivrea, Hilton in Havana, JUMEX in Mexico City--operated architecture across all scales and mediums, students in this seminar will uncover the questions post-war integration was designed to answer.

The course explores how art worked in politics and religion from ca. 300-1200 CE in Europe, the Middle East and Africa. Students encounter the arts of Catholicism and Orthodoxy, Judaism and Islam, great courts and migratory societies; dynamics of word and image, multilingualism, intercultural connection, and local identity. We examine how art can represent and shape notions of sacred and secular power. We consider how the work of 'art' in this period is itself powerful and, sometimes, dangerous. Course format combines lecture on various cultural contexts with workshop discussion focused on specific media and materials, or individual examples.

This seminar will examine the concept of 'plague' from antiquity to the present using works of art and archaeological materials. The course will explore in particular the bioarchaeology of the Black Death, the Justinianic Plague, and other examples of infectious diseases with extremely high mortalities. We will also consider the differing impact of plagues during the medieval, early modern, and modern periods: themes in art; the development of hospitals; the meaning of the word 'plague' and questions of scapegoating throughout history; and changing ideas of disease and medicine.

This course will focus on the Asian American arts, culture and youth activist movements in New York City from the early 1970s-1990s. Invited guest speakers--filmmakers, visual and literary artists--will engage with students in talk-story, bridging their cultural practices to present day. We will examine how Asian Americans used their struggle for self-determination and talents to build art, literary and independent film organizations and the projects that they have produced. Students will have the opportunity to produce a creative final project based on oral history interviews with members of Asian American organizations.

Who was Sappho? And what do we make of her today? In this course, students will consider in detail what remains of Sappho's work (including the latest discoveries, published in 2014), and also how her example informs later literatures, arts, identities, and sexualities. Students with no knowledge of ancient Greek and students who already know it well are equally welcome! One session per week will focus on reading and translating original texts with one group, while a parallel session will focus on translations and adaptations through time. One joint session per week will draw perspectives together.

Copyright arose in 18C London to regulate the book trade. It now covers almost all creative activities, from visual arts to music, movies, computer code, video games and business methods. How and why did it spread so far, and for whose benefit? Is it the right framework for a large part of modern economies, or is it time for a rethink? This course studies the history of copyright and its philosophical and social justification from Diderot and Dickens to Google and Meta. It returns at each stage to ask how the arts were supported, and how they should be supported now in a world dominated by copyright corporations.

Why have so many masters of verbal art relied on the stylistics and epistemologies of jazz musicians for the communication of experience and disruption of conventional concepts? We'll draw on musical recordings, live in-class performances by guest jazz artists, poetry, fiction, and recent debates in jazz studies, critical theory and Black studies. Advanced undergraduate and graduate students of literature and/or music are welcomed, but proficiency in both disciplines is NOT required. We will develop together techniques of close reading and listening. Optional performance component for music instrumentalists and vocalists.

This course uses texts and methods from history, theatre, performance studies, and dance to examine artists and works of art as agents of change in New York (1960-present) and contemporary "Rust Belt" cities. Issues addressed include relationships between artists, changing urban economies, and the built environment; the role of the artist in gentrification and creative placemaking; the importance of local history in art interventions; and assessing impacts of arts initiatives. A Spring break trip, and visits to key local sites, are included. Students will use data and methods from the course to produce final projects.

Dance/Theater Pedagogy Seminar explores the connection between engaged dance and elementary school literacy, mathematics and social studies while allowing students the opportunity to be civically engaged and contribute to the community. The course combines teaching dance and movement classes to public school students from underserved communities in the Princeton region, while collectively engaging in an in-depth exploration of Dance in Education with an emphasis on recent developments in the field. Fieldwork takes place weekly at designated out-of-class times.

This seminar explores the confluences among Japanese, Black, and Indigenous thought in both creative and critical modalities. Through the uncharted encounters among Pacific and Caribbean discourses of ecological reimagining, the course surfaces the generative potentials of a planetary and comparative humanities. Participants develop creative/critical engagements with diverse scholarly approaches and collaborative experimentations with textual, audio-visual, and place-based forms of expression. Together, we trace the speculative archipelagoes that sound out shared but disparate genealogies of anti-colonial inquiry.

In the interface of environmental and film studies, this multidisciplinary course investigates the phenomenology of home in relation to the environment as well as the civilizational (both cultural and technological) paradigms of colonizing versus nomadic homemaking through examples from masterpieces of cinema and our own short research film exercises.

The 21st century has seen many Greek classics re-told in ways that challenge dominant power structures. We will analyze some of these new versions of old stories while interrogating the very idea of a 'classic'. Why re-tell a story from over 2,000 years ago to begin with? What are the politics of engaging with texts that have been used to underpin ideas of a superior Western civilization? What challenges do writers have to overcome in working with ancient texts? Students will consider these questions as readers but also as writers who will work towards a classics re-write of their own.

How does political upheaval - especially in the form of revolution - shape memoir? This course focuses on the work of writers, particularly those of Middle Eastern origin who live in the Americas (Mexico, the United States, and Cuba) to explore this question. It pairs their memoirs with other examples of their writing (letters, eulogies, and essays) and artistic production to study issues of post-coloniality, gender, race, and nationalism.

This class will investigate William Shakespeare's play Hamlet through discussion and performance. Students will explore and rehearse an adaptation of the play to understand Shakespearean characters, narrative, and language, and to consider the play's resonance in the current moment. The class will culminate in workshop performances at the LCA during reading period. Students must be able to commit to group rehearsals outside of the official class time, working with a student assistant director and a faculty acting coach, in addition to faculty member Professor Wolff.

Inter-disciplinary class on early modern Amsterdam (1550-1720) when the city was at the center of the global economy and leading cultural center; home of Rembrandt and Spinoza (Descartes was nearby) and original figures like playwrights Bredero and Vondel, the ethicist engraver Coornhert, the political economist de la Court brothers and English traveling theater. We go from art to poetry, drama, philosophy and medicine. Spring Break is in Amsterdam with museum visits, guest talks and participation in recreation of traveling theater from the period.

This class engages with spatial analysis across a range of disciplines and approaches; from architecture, architectural theory and manifestos to continental philosophy, Marxism, Black studies, decolonial writings, and a sample of graphic- and novelistic depictions of built space. We ask whether thinking about built space as a "language" is fundamentally different from "picturing" space or inhabiting space with our bodies, and whether these approaches count as "cognitive mapping." We contemplate the dystopian actualities and utopian possibilities inherent in the built environment and the constructive projects of world building.

New Schools surveys experiments in para- and counter-institutional higher education over the last century, from Black Mountain to Outer Coast to Deep Springs. Why do experimental schools arise, flourish, fossilize, fail? What are the epistemic, social, and political implications of departures from pedagogical norms? We approach these new schools as historians, critics, and teachers (and students); we study their records, try their methods, and we may well build our own. The seminar responds to the crisis of opportunity in higher education and to the perpetual call for new ways to teach and learn.

Informed by recent German media theory on 'cultural techniques'--from the operation of doors to embodied acts of writing and image-making-- this seminar will explore the relations between performance and media, from interactions between performance practices and modern/new media to implications of performance for theorizing media in general. Topics will include shared concerns in media studies and performance studies (such as embodiment, (im)mediacy, practice, and the archive), relations/tensions between performance and text, movement and inscription, and thinking media through the lens of practice as well as practice as the basis of theory.

This seminar explores the literary text as not just a text, but an aesthetic medium. Critical readings and practical analyses aim to develop a theoretical foundation for an "art of the text." Each text begins at its own beginning, on paper or on a desktop, and ends with the images, emotions, and voices it evokes, as a literary text. This journey leads to the stylistic topoi or "common places" that, since antiquity, have been used to map the domains of literary texts and to trace their ways of worldmaking. This seminar provides an overview of classical rhetoric, literary aesthetics, and modern and postmodern literary theory.

The history of the Americas is indelibly marked by mass, violent, racialized enslavement. How did this come about - and how can, and should, we write about it? This class will explore different primary sources, consider the ethical issues they raise, and read brilliant recent work by leading historians of the subject. It will focus mainly on the overlooked epicenter of North American slavery in the 17th and 18th centuries: the islands of the British West Indies, Barbados and Jamaica. It is intended to be collaborative, and to strengthen students' ability to write successful junior and senior theses in history or in any other subject.

This team-taught double credit course examines European texts, works of art and music from the Renaissance to the modern period. Readings, lectures, and discussions are complemented by films, concerts, and special events. It is the second half of an intensive interdisciplinary introduction to Western culture that includes history, religion, philosophy, literature and the arts. Although most students will have taken HUM 216 - 217, first-years and sophomores are welcome to join at this point.

In combination with HUM 218, this is the second half of a year-long interdisciplinary sequence exploring Western culture from the 15th to the 20th centuries. Students must register for both HUM 218 and HUM 219, which constitute a double-course. The lecture component for HUM 219 is listed as TBA because all meetings are listed under HUM 218. There are no separate meeting times for HUM 219.

HUM 248 will introduce students to the multi-faceted literary and cultural production of a region that at one point stretched from the Iberian Peninsula to the Indus Valley. Starting at the tail end of the Abbasid Empire up to the rise of nation-states in the 20th century, students will learn of the different power dynamics that shaped the region's diverse ethnic, religious, linguistic, and ultimately national communities, and their worldviews. Readings will include literary works written originally in Arabic, Persian, Turkish, and Hebrew.

This seminar introduces students to basic concepts of working with literary texts and working with data. Crossing the divisional boundaries of literary analysis and quantitative and computational reasoning, we'll learn how to develop a compelling research question, to explore the many methodologies for using computation to analyze literature, and to put our work in context of the long history of literature conceived of as data. We'll think broadly about the role of humanities in data science, and learn the importance of interpretation, exploration, iteration, creativity, analysis, and critique in both literary and quantitative work.

This course introduces students to the socio-historical and political processes through which religion is represented, contested, and managed in the built environment. The course pays particular attention to the way that claims of religion implicate questions of diversity, difference, and justice in contemporary cities. Students will study the conceptual and historical debates on the role and place of religion in the public sphere and analyze empirical cases of how spatial decisions regulate or enable expressions of religious difference in urban settings.

Between the 700s and 1000s, pirates known as Vikings raided much of Europe. Some were linked to merchant communities trading in Central Asia, while others joined diaspora groups that settled the North Atlantic. They made their world through various means--texts, images, artifacts, and behaviors. In this course, students will accomplish parallel work, guided by the principle that making is best studied by doing. Students will learn how Viking-Age peoples made their world and consider how we recreate and represent that world today. This course includes travel to Denmark during spring recess.

This course, designed as a seminar, will trace the ways in which humans have dug into the ground in order to find the material remains of the past and then interpreted what they found. We will look at efforts of many kinds: discoveries made by chance as well as those made by deliberate searches; discoveries inspired by dreams and visions as well as those motivated by formal surveys; discoveries of the relics of saints, Christian and other, as well as the remains of ancient civilizations. We will examine our subjects' ideas and their practices, and set both into context.

Focusing on René Char's wartime "notebook" of prose poetry from the French Resistance, Feuillets d'Hypnos (Leaves of Hypnos), this course joins a study of the Resistance to a poet's literary creation and its ongoing "afterlife" in translations around the globe. History, archival research (traditional and digital), the practice of literary translation, and a trip to France that follows in Char's footsteps as poet and Resistance leader will all be part of our exploration. We will conclude with a dramatic performance of the "notebook" in multiple languages, as created by seminar participants.

This course examines ancient texts that have been central to modern conceptions of justice. We will analyze these texts in their own context, understanding both their own arguments and those that they criticize; look at how they have functioned to support different positions in the more recent past; and interrogate whether they should continue to have a role in shaping our notions of justice, and if so, what role that should be. The seminar will include discussions with justice-impacted individuals, as well as the potential for interested students to carry out a community-based project.

Italy, homeland of poets, saints, navigators, and... weirdos. In this class, we turn stereotypes that depict Italy as the land of beauty and classicism inside out, and focus instead on how distinctively weird much of Italy's modern artistic production is. Is the Italian polymath Giacomo Leopardi the unsung grandfather of weird fiction? Did Giorgio De Chirico and Italo Calvino influence Jeff VanderMeer's Annihilation? Leveraging theorizations on the topic as well as transmedial and transnational perspectives, we study what it means for something to be weird, why weird art fascinates us, and if we should all try to be weirder.

Trauma has become a part of our everyday lives with the pandemic, mass shootings, police brutality, etc. What is the role of researchers, reporters, filmmakers, and museum workers in mitigating the effects of trauma on individuals and communities? Throughout this course, students will learn how to conduct trauma informed interviews, interpret, and present their findings in a safe and respectful way that can facilitate healing rather than increase the pain. By the end of the course, students will be expected to develop their own interview-based research project.

This is a class on podcast production for aspiring humanists, as opposed to aspiring journalists, open to undergraduates and graduates. In this class, you will learn how to produce narrative-driven audio, like short segments, episodes, or series, on a humanistic subject matter, but tailored for a non-academic audience. We will cover the technical basics, such as working on a DAW, editing, and sound designing, and we will cover the craft of finding stories, interviewing, creating narrative arcs, tracking, and using archival tape. We will also have industry professionals guest lecture in the class. Projects will be completely audio-based.

An exploration of original texts in the history of ideas about the workings of the human mind starting in Antiquity and leading to the development of the empirical discipline of psychology in the 19th century and some of its modern trends. Subsequent developments, including the child study movement, are explored though 20th century writings, culminating with Sartre's philosophical psychology and sources in Eastern thought to put the Western trajectory in perspective.

The course will teach core principles of the life sciences through a set of key questions that biologists have sought to answer over the past 200 years. We will read historic scientific publications, discussing the basic biology at stake as well as what enabled each scientist to see something new. In addition, we will schedule several hands-on sessions with relevant materials. By situating key findings in their place and time we show how science is an inquiry-based, concrete, and ongoing activity, rather than codified and unchanging knowledge. Topics include cell theory, evolution, experimental embryology, genetics, and molecular development.

This course examines how cities, and city-dwellers, across Africa have changed over the past 500 years. We consider how local, regional, and global forces have structured African cityscapes, jobs done by urban workers, and the relationship African urbanites had with changing environments. By doing so, students develop the tools to analyze urban spaces and explain the different ways cities have structured Africa's past, present and future. Students will examine how people experienced, built, and transformed urban landscapes across Africa and unpack the social, economic, political, and spatial structures that have structured African cities.