A continuation of POR 101. Students will continue to develop skills of oral/aural comprehension, speaking, reading and writing, while gaining further exposure to the Portuguese-speaking world through the media, literature, film and music of Brazil, Portugal and Lusophone Africa. Students who successfully complete POR 102 will place into POR 107.

Normally open to students already proficient in Spanish, this course uses that knowledge as a basis for the accelerated learning of Portuguese. Emphasis on the concurrent development of understanding, speaking, reading, and writing skills. The two-semester sequence POR 106-109 is designed to provide in only one year of study a command of the language sufficient for travel and research in Brazil, Portugal, and Lusophone Africa.

Students will further develop their language skills, especially those of comprehension and oral proficiency, through grammar review, readings, film, and other activities. The two-semester sequence POR 106-109 is designed to give in only one year of study a command of the Portuguese language sufficient for travel and research in Portuguese-speaking countries.

An intensive course designed for students who have fulfilled the language requirement in Spanish or another Romance language. Knowledge of one of these languages provides the basis for the accelerated learning of Portuguese. This one-semester 'crash' course teaches fundamental communication skills--comprehension, speaking, reading and writing--and some exposure to cultural aspects of the Portuguese-speaking world, but does not offer an in-depth study of grammar.

Short stories and music will serve as vehicles for a deeper understanding of the major political and social shifts that have affected the landscape of the Contemporary Portuguese-speaking world. We will hear an array of voices and delve into a diversity of narratives as we explore the interconnected historical, social, political, and cultural aspects of Angola, Brazil, Cape Verde, Guinea-Bissau, Mozambique, Portugal and Timor-Leste.

Through literature, film, music, and archive, we will explore how race, as a form of human hierarchization, shaped and connected the history, cultures, and social realities of Brazil, Portuguese-Speaking Africa (Angola, Mozambique, Guinea-Bissau, among others), and Portugal. We will examine how racial discourses changed throughout time and operate today in those spaces through key historical moments and topics such as slavery, colonization, race-mixing, fascism, military dictatorship, decolonization, migration, contemporary urban life, Indigenous thought, and Afro-futurism. Readings and discussions will be entirely in English.

The enslavement and colonization of Africans disarticulated African and Afro-Diasporic historical time and social memory, fragmented by the dispersion and oppression of their/our bodies, cultures, and territories. Lately, memory has reclaimed a central space in politics, particularly concerning minorities, and cinema has become a privileged medium of/for memory. We explore film genres, topics, and aesthetics seen in African and Afro-Brazilian cinemas to recreate pasts, presents, and futures, exploring different forms of memory, from traditional archives (documents, pictures) to memory as an embodied, practiced, and inscribed presence.

This course offers an introduction to key terms, concepts and issues in the fields of second-language acquisition and language-teaching pedagogy as it relates to the teaching of Spanish and Portuguese. Students acquire knowledge, as well as develop and practice skills that prepare them to teach foreign languages, select content and create materials, assess student performance, and reflect upon their own teaching practice. The course's theoretical principles are applied to the teaching of the four linguistic skills: speaking, listening, reading, and writing. The teaching of culture and use of new technologies are also addressed.

This course provides students from all areas of literary and cultural studies in Spanish and Portuguese with a platform in which to engage with the discovery, access, study, interpretation, and utilization of historical records or archives often held by institutions. How do we overcome the barriers that prevent us from working with archives, regardless of their genre (i.e. text, film, audio, visual, etc.) or media format (i.e. manuscript, printed, digital, etc.)? How do we approach archives retained in repositories that uphold unjust socio-political practices?