American Genres: Western, Screwball Comedy, Film Noir

Why did three American genres become classics in the same twenty-year period, 1936-1956? Part of the answer lies in global disruptions that unsettled codes of behavior. Part lies in film innovations that altered cinema itself. But more than this intersection of social and formal transformations, the decisive answer lies in a handful of directors who reconfigured gendered relations in three generic forms. The surprising correspondences that emerge among these classic films, if also the obvious divergences even within single genres, that will focus our discussion.