This seminar investigates the historical experiences of women in the Caribbean from the era of European conquest to the late twentieth century. We will examine how shifting conceptions of gender, sexuality, race, class, and the body have shaped understandings of womanhood and women's rights. We will engage a variety of sources - including archival documents, films, newspaper accounts, feminist blogs, music, and literary works - in addition to historical scholarship and theoretical texts. The course will include readings on the Spanish-, English-, and French-speaking Caribbean as well as the Caribbean diaspora.

This course we will undertake the deceptively simple question: how do we read Toni Morrison? In taking up this task, we will devote our attention to various scenes and sites of reading across Morrison's oeuvre, asking how Morrison is encouraging us to read history, slavery, violence, geography, time, space, gender, and friendship. We will also engage with Morrison's own status as a reader by considering her work as an editor and literary critic. Through regular engagement with the Toni Morrison Papers housed at Firestone we will consider what it means to be able to read Morrison in such close proximity to these archival materials.

Love is a deeply personal experience. Yet, powerful social, political, and economic forces determine who we love, when we love, and how we love. Looking at practices of romantic love, dating, sex, marriage, queer love, friendship, and familial love across different social and global contexts, this course explores how social and cultural factors shape our most intimate relationships. Drawing on ethnography, history, and journalism, we examine the intersections between love and technology, gender, race, the law, capitalism, colonialism, and religion. For the final project, students will use creative writing or multi-media to tell a love story.

What does it mean to be a man? Or to act like a man? By calling attention to the gendered identities/practices of men-as-men, scholars of masculinities have given diverse responses to these questions across time and space. We draw on anthropology, history, critical theory, gender studies, and media to explore the processes and relationships by which men craft gendered lives. Rather than defining masculinity as biological trait or fixed object, we examine how men's life stories and prospects are shaped by social scripts, political-economic forces, labor regimes, and ethical norms.

The seminar examines a variety of settler colonial contexts in North America and Oceania. After exploring a range of theoretical approaches to the study of colonialism, gender, and sexuality, the course will feature three main case studies: Maori, Oneida, Cherokee, Diné, and Kanaka Maoli (Native Hawaiian). We will then assess how nationalist self-determination struggles negotiate gender and sexual decolonization, focusing on the growing body of work on gender liminality, contested masculinities, Native and Indigenous feminisms, debates regarding same-sex sexuality and marriage, as well as Two-Spirit, Mahu, LGBT, and `Indigiqueer' identities.

How do sources determine the histories we can tell about architecture, urban space, and the agents that enliven it? How do we reconcile seeming absences and actual acts of erasure that stare back at us from the archive? How can feminist, gender, queer and trans* theory help us chart new avenues for writing critical architectural histories that are attentive to discourses of difference but also narratives of equity? Which methods, beyond conventional modes of architectural inquiry, can we employ to uncover histories of groups and institutions that have actively resisted dominant regimes of power and their corresponding systems of knowledge?

This course focuses on how the renewed analysis of a relationality among different violences generated by popular feminisms impact our understanding of justice and accountability. Taking the crossings between social reproduction and prison abolition, personal and systemic violences as critical horizons, we explore different practices and regimes of signification posed in pamphlets, philosophical, literary, and artistic works. Although the course focuses on Latin America, it includes key works by feminists from the U.S. and analyzes processes of translation currently taking place. Readings available in Spanish and English.

This course focuses on the images of women in Korean cultural production, spanning from contemporary to pre-twentieth-century periods. Analyzing the historical variations in the notions of femininity that appear in literary and filmic texts, we will use these feminine images as access points to the aesthetic conundrums produced at crucial historical junctures. These feminine images, produced locally and globally, will allow us to examine the experiences of immigrant diaspora, Korea's neo-colonial relationship with the United States, the Korean War, colonial modernity, and Confucian patriarchal kinship.

This class considers short poems of the 16th and 17th centuries that are variously concerned with love, desire, and sexual intimacy. What are the modes of address in the erotic lyric? How do poems represent the subject and object of desire, and how do they represent the ethics of the erotic encounter? What is the social, political, and philosophical work of a personal and intimate poetry? Alongside a wide range of poems (including at least one contemporary collection placed in dialogue with the earlier poems), the course will include several short theoretical readings on the representation of desire.

Modernism comes with a host of monsters and ghosts. This course traces the teleology of "walking shells" in literary and visual culture and explores the crisis of: 1) parenthood in an age of synthetic reproduction; 2) racial and gendered logic in the sub-/semi-/non-human. We explore similarities and differences among these categories of the less-than-human. We want to rethink oppositional relationships, including between humans and things, bodies and objects, essence and prosthetics, art and technology.

Images of Muslim Women in Twentieth Century Literature and Culture will discuss issues of repres entation, circulation and reception of images of Muslim Women embedded in historical contexts saturated with power, through different kinds of cultural texts including fiction, poetry, film, photography, the media, etc.

Why does sex work raise some of the most fascinating, controversial and often taboo questions of our time? The course explores the intricate lives and intimate narratives of sex workers from the perspective of sex workers themselves, as they engage in myriad varieties of global sex work: pornography, prostitution, erotic dance, escorting, street work, camming, commercial fetishism, and sex tourism. Themes include: the 'whore stigma,' race, class and queer dynamics; law, labor and money; technologies of desire and spectacle; dirt, marriage and monogamy; carceral modernity; violence, agency and, above all, strategies for social transformation.

What does RuPaul's Drag Race teach us about our everyday gendered performances? How does The Bachelor shed light on contemporary courtship rituals? Reality television shows may seem like frivolous fun (and they are!), but they are also illuminating cultural artifacts that reflect contemporary American norms and values. In this course, we will analyze these forms of entertainment through a social scientific lens, investigating what they reveal about our collective understandings of sex, gender, and sexuality.

This course focuses on "bad girls" (and boys!): people who perform their gender and/or sexuality in ways that fall outside of the norm. We will examine how cultural meanings shape our shared understandings of what is "normal" or "abnormal," "good" or "bad," and we will regularly link our course readings to current events and elements of popular culture.

How has feminism "as a social movement" responded to globalization's challenges? What are transnational feminist networks? Does the very concept of "global sisterhood" need to be critiqued? Where do "local" feminist movements (cultural, national, regional) fit within the frameworks of an increasingly neoliberal global economy? What are some transnational feminist responses from around the world to conflict, war, religious fundamentalisms? Students will hone these and similar questions through multidisciplinary readings, film, and case studies for political debate.

Science is commonly held to be the objective, empirical pursuit of natural facts about the world. In this course, we will consider an array of theoretical, methodological, and substantive challenges that feminism has posed for this account of science, and for the practice of scientific knowledge production. In the course of this survey, we shall engage a number of key questions such as: is science gendered, racialized, ableist or classist? Does the presence or absence of women (and another marginalized individuals) lead to the production of different kinds of scientific knowledge?

This introduction to disability studies draws together the work of feminists and queer theorists with that of historians and clinicians in order to contextualize the field's major theoretical claims. We will take up and critique the oft-made distinction between natural, physical impairment and socially constructed disability, situating it with regards to Michel Foucault's account of biopower, and his controversial claims in Society Must Be Defended regarding "racism against the abnormal."

An exploration of the graphic memoir focusing on the ways specific works combine visual imagery and language to expand the possibilities of autobiographical narrative. Through our analysis of highly acclaimed graphic memoirs and autobiographical fictions, we analyze the visual and verbal constructions of identity with an emphasis on the representation of gender dynamics and cultural conflict.

This course will examine where and why women and men are not treated equally, how gender inequality impacts human welfare and development, and what works to minimize gender inequality in the Global South. This course will introduce students to cutting-edge research on gender inequality in countries as diverse as India, China, South Korea, Brazil, Tunisia, Saudi Arabia, and Mali, as well as the reasons why some government efforts to reduce gender inequality are successful while others fail or even backfire. The course will emphasize the importance of culture and norms.

This course considers how gender enters and shapes politics, primarily in the US context. It addresses a range of questions that center elections: How did women gain the right to vote? Are women voters really different than men voters? Are women politicians really any different than men politicians? Has women's involvement in electoral and institutional politics changed anything? It also considers how the gendered space of the American electoral system has limited its effectiveness in delivering outcomes desired by some groups of women, what their alternatives might be, and how those alternatives have been and continue to be pursued.

This course focuses on the works of individuals and collectives whose projects challenge traditional notions of women's writing and representation. From renowned authors like Clarice Lispector to contemporary figures such as Txai Suruí and Djaimilia Pereira, we will look at writers and artists with gender identities ranging from cisgender to transgender and non-binary, examining how their interventions reshape the feminist canon. By connecting words, bodies, and voices, and engaging with works from outside the Portuguese-speaking world, we will analyze how feminist ideas move and transform across languages, cultures, and experiences.

This course will introduce students to the richness and diversity of women's writing in India; it will open many windows into regional Indian societies, cultures, and subcultures; and it will allow students to examine social issues and cultural values from women's perspectives. By studying women's writings from at least ten major Indian languages (in English translation), students will be able to identify differences and disagreements among different canons as well as some common features among them that justify the category of Indian women's writing.

Sexuality is fundamental to the organization of society -- both in the U.S. and across the world. Though sexuality carries important personal significance, the understanding of why and how it influences our lives is inextricably woven into a complex, global fabric. The aim of this course is to unravel this fabric and reveal the deeply globalized nature of sexuality in the modern era and how this shapes understandings of sexuality, the sexual identities available to us, and how the state regulates it -- especially from a global, comparative perspective.

Love is the subject of the world's greatest stories. The passions aroused by Helen of Troy brought down a city and made Homer's masterpiece possible, while the foolishness of those in love inspired Shakespeare and Cervantes to create their most memorable characters. Many powerful Latin American and Spanish stories deal with the force and effects of love. In this course, we will study a group of films and literary fictions that focus on different kinds and forms of love. We will pay special attention to the forms of narrative love (quest, courting, adultery, heartbreaking), as well as the translation of love into language, body, and image.

In response to the rise of neoliberalism, Latin(x) American artists and writers turned to memory as a poetic force to challenge the monumentalization of history. This course examines how feminist and queer perspectives highlight the tension between fragments and totality, residues and fixed narratives, reimagining memory as a form of resistance. It explores memory across various media, analyzing themes of gendered violence, feminicide, post-dictatorship trauma, and racial marginalization in the works of artists and writers like Cecilia Vicuña, Óscar Muñoz, and Rosana Paulino, among others.

This course will explore how women's rights activists, lawyers, and legal scholars have considered legal institutions and law to be arenas and resources for transforming women's lives and gender norms, identities, and roles. Since the early 1970s, feminist legal scholars and lawyers have challenged traditional understandings of law and the core civic values of freedom, justice, and equality. Others have questioned whether litigation-centered approaches to reform have harmed more than helped advance the goal of women's equality and liberation.

We will explore the foundations of black performance theory, drawing from the fields of performance studies, theater, dance, and black studies. Using methods of ethnography, archival studies, and black theatrical and dance paradigms, we will learn how scholars and artists imagine, complicate, and manifest various forms of blackness across time and space. In particular, we will focus on blackness as both lived experience and as a mode of theoretical inquiry.

This seminar offers an intensive introduction to the principles and practices of dramaturgical and performance analysis of stage plays as written works, as blueprints for theatrical performance, and as exercises in worldmaking. This seminar also rehearses how the techniques of dramaturgical and performance analysis might be applied to modes of embodied enactment - whether historical or contemporary, whether in art or everyday life - beyond the theatrical frame. In Spring 2025, the course will focus on the life, work, and legacy of the pathbreaking Cuban-American playwright, director, designer, and teacher María Irene Fornés (1930-2018).

Through plays produced in the United States from the second-wave feminist movement of the 1960s to the Black Lives Matter Movement of the 2010s, we will identify and analyze various themes, approaches, and concerns within feminist plays. Employing script and dramaturgical analyses and performance techniques, students will learn how to contextualize plays from the race, gender, class, sexuality, and politics of the playwright and contextualize plays within their larger historical, social, and cultural milieus. In doing so, students will learn about the different lineages, politics, and aesthetics of feminist theatre.